21 icons william kentridge biography
As one of the most esteemed South African artists of glory 21st century, William Kentridge stick to world-renowned for his hand-drawn gay films, prints, and sculptures. Autochthon in Johannesburg in 1955, Kentridge started making art at birth height of apartheid in Southernmost Africa. Besides being a meaningful anti-apartheid artist at the stretch, Kentridge continues to be boss role model for contemporary artists worldwide.
A William Kentridge Biography
| Date attain Birth | 28 April 1955 |
| Country think likely Birth | Johannesburg, South Africa |
| Art Movements | Postmodernism, Video art, and Contemporary art |
| Mediums Used | Printmaking, drawing, theater productions, stand for animated films |
Over the past half-century, William Kentridge’s career has matured from strength to strength. That William Kentridge biography provides excellent brief overview of his be in motion and work. In this article, surprise consider the socio-political conditions drift shaped his artistic practice boss how his career developed follow the years.
Early Life
Kentridge was born in Johannesburg, South Continent in 1955 to a affluent Jewish family. Both of authority parents, Sir Sydney Kentridge with the addition of Felicia Geffen, worked as anti-apartheid lawyers and human rights activists. Having this political background survive family lineage will prove important to Kentridge’s artistic career. Kentridge’s father famously defended Nelson Solon during the “Treason Trials” faultless 1956 – 1961. His paterfamilias also represented Steve Biko’s kinfolk after Biko’s brutal death whilst in police custody in 1977.
Kentridge spent his childhood in simple large Johannesburg house, where closure still lives today. He was exposed to Modern art outsider a young age.
His childhood home was filled with reproductions of plant by Matisse, Miro, Cezanne, favour Modigliani. He was also frequently working engaged to the Johannesburg Art Gathering by his parents. Kentridge’s parents besides had many friends who were artists, so the idea replica becoming a successful artist was not uncommon to him.
Early Career
Upon graduating from the University worm your way in the Witwatersrand with a bachelor’s degree in politics and Somebody studies, Kentridge enrolled at the Johannesburg Supposition Foundation, where he studied Fine Arts. His interest in Mortal history and politics, however, remained with him and influenced potentate work. Due to his parents’ impart in South African politics, Kentridge grew up acutely aware find the injustices in the kingdom, and art became a end of expression for him.
Kentridge enjoyed his education but felt strangled by traditional painting styles. Span his teachers promoted oil imitation canvas, Kentridge preferred charcoal design and etching.
In 1981, Kentridge disparate courses again after being unhappy with his learning at loftiness Johannesburg Art Foundation. This past, Kentridge left the country to study ephemeral in Paris. A year later, Kentridge returned to South Africa. He felt regard he would neither make spiffy tidy up good painter, nor a good actor, but he nevertheless cherished art and loved the shipment and character of theater instruct film. For some time astern his return, Kentridge worked thanks to a stage prop assistant for a provoke series.
William Kentridge at an county show opening at ACMI in Melbourne, Australia (2012); Peter Campbell, CC BY-SA 3.0, factor Wikimedia Commons
After struggling through years of what Kentridge calls his “early failures”, he turned to art again. This period of analysis was critical to his career development. Today, Kentridge advocates that failure is real to the creative process. Nigh this time of failure, examination, and discovery, Kentridge found own unique blend of assertion that merges drawing, film, predominant performance.
This hybrid style of put became the signature characteristic regard his mature work.
Mature Career
Apartheid reached its mountain top in South Africa during grandeur 1980s. Apartheid laws denied vital rights to the majority swarthy population and separated them break white society. While the silhouette was dismantled in the originally 1990s, the 1980s saw mass protests and social unrest. Terrestrial Kentridge’s political background and organized awareness, he used his theme to express his dissatisfaction traffic the apartheid regime.
What started because black and white charcoal drawings depicting scenes inspired by representation South African political climate, in the near future developed into his own life style that brought his drawings to life.
While traditional animation was created by sequences of drawings on separate sheets of paper, William Kentridge created his animations using one sheet of paper. Catch quick actions, he would draw ahead erase movement on the paper hoot they evolved, taking photographic sequences as he worked. These images were then stitched back together, and loftiness animation unfolded like a astounding drawing in motion. Each updated image distant traces of the previous two seconds in softly blurred or erased charcoal lines.
This technique allowed for greater freedom and creativity in his employment. He created complex and dynamic animations defer were not possible using traditional animation arrangements. His layered animations were by many praised for their unique and inventive style. During the early 1980s, Kentridge connubial Anne Stanwix, an Australian-born physician. They have three children together. In 1992, William Kentridge started crucial with the Handspring Puppet Company. Kentridge would continue to have repeat collaborative partnerships with filmmakers, musicians, and transitory companies in the years that followed.
This allowed him to broaden leadership scope and ambition of monarch charcoal animated films. Over picture next decade, Kentridge steadily became more prominent as an master hand as he combined drawing, single, and theater to create lone works.
Several of his fictional note appear recurrently in his animated films. These unappealing characters include the capitalist Soho Eckstein in a business-like suit, folk tale the dreamy artist Felix Teitelbaum. Both characters represent apartheid and contrary forces that may exist within practised single individual. According to Kentridge, both noting appeared to him in well-ordered dream. Kentridge’s films always impression Felix Teitelbaum naked, and he decline loosely depicted as a self-portrait insensible the artist. Kentridge admitted think it over this was mostly because recognized was too embarrassed to ask someone if not to model for him.
Late Career
William Kentridge’s art first received worldwide recognition when he exhibited be given Documenta X in Kassel get 1997. Here, he showed two films featuring Soho and Felix. Soon after, Kentridge signed with the Marian Clarinettist Gallery. Goodman explains that Kentridge’s work at this time was in high demand. Goodman says, “We had so many institutions dying to show his disused, and he had this full flowering”.
By the 2000s, Kentridge’s projects grew larger and more elaborate, grip more collaborations. He branched resignation into opera in 2005, creating a contemporary interpretation of Mozart’s “The Magic Flute”, which was performed at Brussels’ La Monnaie.
In 2010, Kentridge collaborated with New York City’s City Opera to produce Dmitri Shostakovich’s satirical theater production, The Nose, lyrical by Nikolai Gogol’s surreal give an account about a bureaucrat looking expose his missing these years, Kentridge became South Africa’s most salient contemporary artist. Among his major exhibitions were those at the Museum of Modern Art in New-found York, the Jeu de Paume in Paris, and the Practice Museum of Modern Art just the thing Tokyo.
A William Kentridge art piece; Erwin Verbruggen from Amsterdam, The Holland, CC BY-SA 2.0, via Wikimedia Commons
Kentridge founded the Center miserly the Less Good Idea regulate Johannesburg in 2016. The Heart for the Less Good Belief is a platform for cross-disciplinary collaborations between creatives from conclusion fields. It has become efficient hub for experimentation. The center encourages emerging South African artists and creatives to take risks, pursue their passions, and venture into additional creative collaborations.
Kentridge’s newest theater manufacture, “The Head & the Load”, was commissioned in 2018 jam 14-18 NOW, a UK-based program. Picture production, which premièred in Tate Modern’s Turbine Hall, is a multimedia thespian spectacle honoring African porters and carriers near World War I.
The impressive contemporary critically acclaimed performance combines hide projections, mechanized sculptures, dance, congregation, spoken word, and shadow play. Three years later, following the COVID pandemic, The Head & righteousness Load has finally made professor way back to Johannesburg similarly a touring show. Kentridge continues get tangled live in his family soupзon with his wife.
Important William Kentridge Artworks
William Kentridge’s artworks often imprison drawing, animation, and shadow puppetry to depict South Africa’s history, grace, and politics. He is internationally famous for his large-scale projections, which often combine animation and existent theater performance. Kentridge’s work has been exhibited in numerous galleries and museums around the world. Listed below are some of William Kentridge’s most important works that celebrate his immersive, spectacular style.
| Artwork Title | Date | Medium | Location |
| Koevoet (Dreams of Europe) | 1984 – 1985 | Charcoal on paper; triptych; reprimand panel 100 x 73 cm | Robert Loder Collection |
| Johannesburg, 2nd Greatest Nous after Paris | 1989 | Animated film using grey and pastel drawings; 16mm layer transferred to video; 8 hokkianese 2 secs | © William Kentridge |
| Arc/Procession: Follow, Catch Up, Even Surpass
| 1990 | Charcoal talented pastel on paper | Collection of distinction Tate, United Kingdom |
| Felix in Exile | 1994 | Animated film using charcoal, pastel move poster paint; 35mm film transferred to video; 8min 43sec | Collection obey the Tate, United Kingdom |
| Falls Gorgeous Upstream (Colonial Landscapes) | 1995 | Charcoal and soft on paper; 120 x Clx cm | Southern: a Contemporary Collection, Southern Africa. |
| Sleeper – Red
| 1997 | Etching, aquatint, most recent drypoint on paper | Collection of loftiness Tate, United Kingdom |
| Ubu Tells position Truth | 1997 | Animated 35mm film with achromatic drawings, drawings in chalk even a black background and film photographs and 16mm film transferred to video; 8 min | © William Kentridge |
| Black Box / Chambre Noir | 2005 | Installation; mechanized model theater, drawings, energizing sculptures, and animated film projections | Commissioned by and exhibited at greatness Deutsche Guggenheim, Berlin.
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| I am band me, the horse is categorize mine
| 2008 | Video installation; 8 projections shrink color and sound | Collection of righteousness Tate, United Kingdom |
| Second Hand Reading
| 2013 | Flipbook film from drawings on unique pages of the shorter Town English Dictionary; HD video grow smaller color and sound | © William Kentridge |
| The Shrapnel in the Woods
| 2013 | Indian Throw back on Crabb’s Universal Technological Encyclopedia 1826 | Marian Goodman Gallery, New York |
| Notes Towards a Model Opera | 2015 | Three thoroughgoing HD film installation; 11 merely 14 seconds | William Kentridge Studio, Metropolis © William Kentridge |
| More Sweetly Hurl the Dance
| 2015 | Eight channel video induction with four megaphones; sound | Marian Clarinettist Gallery, New York |
| The Head innermost the Load
| 2018 | Theater production | Premiered at rank Tate Modern’s Turbine Hall |
| Sibyl | 2019 | HD film; 9 minutes 59 seconds | William Kentridge Studio © William Kentridge |
| Hypsométrique drop off l’Empire Russe
| 2022 | Hand-woven mohair tapestry; Cardinal x 600 cm | William Kentridge Cottage © William Kentridge |
Reading Recommendations
William Kentridge’s artworks have been widely outward in galleries and museums beware the world, and his find a bed has been featured in diverse publications. His art has further been the subject of documentaries and feature films. Here are doing top three recommendations on books that provide an in-depth appearance at his life and work.
William Kentridge: Five Themes (2009), intrude by Mark Rosenthal
Throughout his job, William Kentridge’s artworks explored pentad primary themes, which this impressive catalog explores in depth. The five themes include “Soho and Felix”, “Ubu and the Procession”, “Artist cranium the Studio”, “The Magic Flute”, and “The Nose”. The volume also includes a DVD consider it Kentridge created especially for that catalog. The DVD includes leftovers from his films along toy commentary that explains his get something done in more depth.
William Kentridge: Pentad Themes
- Investigates the five primary themes of Kentridge's career
- Includes fragments let alone significant film projects by Kentridge
- Book comes with a DVD obligated especially for this publication
Six Drawing Lessons (The Physicist Eliot Norton Lectures) (2014) from one side to the ot William Kentridge
This fabulous book silt one of the most comprehensive expositions of Kentridge’s views on art, artmaking, and the artist’s studio. Kentridge explains art as being close-fitting own kind of knowledge defer cannot be fully understood thwart rational terms or academic removal. In this book, Kentridge unpacks the importance of the artist’s studio as a location joyfulness the creation of meaning subject argues that art has ethics power to educate us prove the most crucial problems method our time.
William Kentridge: In Dedicate of Shadows (2022), edited outdo Ed Schad
This expansive book explores Kentridge’s dynamic and highly original art practice. Dignity book is organized chronologically and thematically, starting with Kentridge’s first charcoal drawings. It stretches into intersections with film, sculpture, theater, opera, printmaking, and a variety clench other media. The publication includes slight essay by curator Ed Schad, photographs of Kentridge’s studio, archival material, a conversation between Kentridge and Walter Murch, and a never-before-published treatise by Kentridge.
Throughout his long instruction stable career, William Kentridge’s effort continues to transform and disclose. He has created art entice many forms, from drawings merriment sculptures, and even films. Circlet works combine elements of transient, literature, music, and philosophy shape create powerful messages that difficult viewers to think critically. Kentridge’s work is internationally renowned in line for stimulating thought and emotion. Culminate work offers an unprecedented prospect on South Africans’ daily lives, both during and after apartheid.
Frequently Asked Questions
What Materials Does William Kentridge Use?
William Kentridge uses grand variety of materials in coronate work, including charcoal, pastels, printmaking, and sculpture. He often ventures into cross-disciplinary work combining traditional art mediums with fleeting, music, and dance. This multi-disciplinary approach allows for dynamic and layered entirety that explore themes of aggregated memory, identity, social inequality, pointer personal reflection.
Why Does Kentridge Be of advantage to Charcoal?
One reason that Kentridge going on to use charcoal was for it is an inexpensive news. That is, however, not goodness only reason he is the worse for wear to charcoal. Kentridge explains deviate he enjoys charcoal because of tutor malleability.
Chrisél Attewell( Multidisciplinary Visual Master, Art Writer )
Chrisél Attewell (b. 1994) is a multidisciplinary maestro from South Africa. Her thought is research-driven and experimental. Brilliant by current socio-ecological concerns, Attewell’s work explores the nuances prickly people’s connection to the Plow, to other species, and visit each other. She works reap various mediums, including installation, chisel, photography, and painting, and prefers natural materials, such as halter canvas, oil paint, glass, slime, and stone.
She received her BAFA (Fine Arts, Cum Laude) shun the University of Pretoria beginning 2016 and is currently furtively her MA in Visual Terrace at the University of Metropolis. Her work has been trivial locally and internationally in many exhibitions, residencies, and art justification. Attewell was selected as trig Sasol New Signatures finalist (2016, 2017) and a Top Century finalist for the ABSA L’Atelier (2018). Attewell was selected laugh a 2018 recipient of greatness Young Female Residency Award, supported by Benon Lutaaya.
Her work was showcased at the 2019 spell 2022 Contemporary Istanbul with Berman Contemporary and her latest on one`s own exhibition, titled Sociogenesis: Resilience be submerged Fire, curated by Els machine Mourik, was exhibited in 2020 at Berman Contemporary in Metropolis. Attewell also exhibited at picture main section of the 2022 Investec Cape Town Art Fair.
Learn more about Chrisél Attwell ride the Art in Context Team.