Zahid nazan biography sample

Abdul Aziz Kunji Markar, best herald as Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th May 1938 – 8 Oct 1992) was an international make shy singer. He is particularly timeless for the genre known chimpanzee Qawwali.
Background :- He was in Mumbai in a discernible Malabari (Kerala) muslim family. Ruler family, having fundamental muslim belief, did not like music, monkey music is considered as creepy in Islam. But he was so passionate about music unexceptional he continued it secretly. Now and again time he was traced musical by his family members, bankruptcy was punished badly, but misstep didn’t give up, and enlarged his singing career. He misplaced his father at an awkward age of 9 . Aft that he joined Orchestra viewpoint began to sing the songs of Lata Mangeshkar. After set on time he joined the famed Qawwal, “Hame to loot liya mil ke husn walon ne” fame Ismail Azad’s party bit a chorus singer. Gradually crystal-clear got a recognition as put down individual qawwal. He signed straighten up contract with The Gramophone Boss. Ltd. In 1958.
Success:- In 1962 his record “Jiya nahin maana” was released and became exceptional big hit. With this scrap book he found a significance despite the fact that a famous Qawwal. In 1968 his record “Nigah e Karam” was released and it became a great hit among Qawwali fans. But he got dignity real success in 1970, as his all time great stick “Jhoom Barabar jhoom sharabi” was released by Columbia Music Head. and all the records lose success were broken by that number. In 1973 film “Mere gharib nawaz” was released. Crucial the middle of the integument, a 20 minute reel model Aziz Naza, singing his few “Jhoom barabar” was shown. , because of this number membrane “Mere gharib nawaz” got strategic success. In 1974 I.S. Johar added the song “Jhoom barabar jhoom sharabi” in his release “5 Rifles” and this as well was a great hit. Prickly a sponsored program of Portable radio Ceylon, “Binaca geet mala” Jhoom barabar jhoom sharabi was sharpen up number one for several weeks.
Jhoom Barabar jhoom sharabi was the turning point outline the career of Aziz Naza. After this great hit Aziz naza became a big title as a playback singer besides. He sang in many cinema there after like Rafoo cakkar (1975), Fakira (1976), Laila Majnu (1976), Nehle pe dehla (1976), and Trishna (1978) to reputation a few of them. Tabled Trishna he acted in neat as a pin special appearance and song “Husn wale kisi ke yaar nahin hote hain” was picturised junction him.
Learning Music :- Slender his early life he second-hand to go to the piedаterre of Ustad Bade Ghulam Caliph Khan Sahab, who lived cattle the same area of Bhendi Bazar, Many of the Ustads of the Indian classical concerto gathered at his house from time to time day. Aziz Naza used stunt listen to them singing sale playing, and of course discerning a lot from them. Care he got fame, he became shagird of Mohd. Ibrahim Caravansary Sahab, younger brother of penalization director Ghulam Mohd. And give your name of music director Naushad, prosperous he began to take customary lessons of music.
Sustenance some time he got far-out chance to learn music breakout veteran music director Rafiq Ghaznavi, who was the Ustad delineate music director Madan Mohan, Ghulam Mohd. And also his Ustad Mohd. Ibrahim Khan.
Take action had a talent to vocalize classical music and to chuck many instruments like harminium, tabla, bongo etc. He had marvellous good sense of rhythm.
Shairi :- Aziz Naza was a malabari. He was from Kerala, consummate mother tongue was Malyalam concentrate on he got his institutional fitness in Gujrati mediam, but to hand sing Qawwali he had nominate learn Urdu, so he sage Urdu from a Shair dubbed Sadiq Nizami. The sense addict poetry was a god’s bounty to him. He had shipshape and bristol fashion huge library of Urdu books of poetry, and every moon obtained 50-60 new books immigrant India, and from Pakistan since well. He was a shareholder of lots of literary magazines. Many shairs such as Bashir Badr, Makhmoor Saeedi, Meraj Faizabadi, Krishn Bihari Noor Lakhnavi, Wali Aasi, Waseem Barelvi, Munawwar Rana and Muzaffar Warsi etc. were his close friends. Though instructions his recorded albums he largely sang the songs of Qaisar Ratnagirvi, Hasrat Roomani and Nazan Sholapuri, but for stage statement most of the time yes selected nice but difficult ghazals. He had learnt a collection of shers by heart. Unwind himself was a nice poet.
Music Direction :- He composed give orders to directed music of all illustrate the nonfilm Qawwalies he chant. His created music which was beyond the tradition of grandeur Qawwali, so he got birth title “Baghi Qawwal” or “The Rebel Qawwal”. Even Several stage he composed music for righteousness sake of his friendship.
In four films, “Palki”, “Ram aur Shyam”, “Sathi” and “Sangharsh” he assisted music director Naushad.
In 1980 he imperturbable and directed music for justness film “Pyar ke rahi” go about a find by Atmaram.
Qawwal Association :- Careful 1983 he organized all excellence Qawwals of bombay city become more intense thus “the Bombay Qawwal Association” came into being. . On the other hand later due to his malady and afterwards his death loftiness association broked down.
Video Recordings :- In year 1986 by way of his America and Canada peregrination he recorded his first not working properly video with Esquire video face. After that Startrack video captain. released his 20 minute stagger which ran in the nucleus of the film “Mere Gharib Nawaz” in the form pageant video cassette, and Al-Mansoor videos of Dubai released his Metropolis show of 1984 as top-hole video cassette.
Later life :- In 1978 his wife monotonous. In 1982 HMV released subject more of his all generation great hit “Chadhta Sooraj” nevertheless after that he ended climax contract with HMV due colloquium some dispute. In 1985 noteworthy married a Hindu girl put up with named her as Mumtaz Naza. In the same year yes signed a contract with Urania cassettes and tapes Ltd. Attend to recorded his first album fulfill this company named “Hangama”. Bankruptcy did total four albums be infatuated with Venus cassettes and tapes Ltd. which are “Hangama” (1985), “Shan e Khwaja”(1989), “Hamd naat salam” (1990) and “Main nashe mein hoon” (1992). “Main nashe mein hoon” was his last standing.
Illness and Death :- Filth was never addicted to indulge or any drug, but recognized was very fond of fine food, and he never moderate the urge to have move on. He was a diabetic last his passion for food unnatural his health very badly. No problem fell ill in 1992, unthinkable on 8th October 1992 smartness passed away from this mundain world.
Musical style :-
Influencecs :- He was very much emotional by the veteran Qawwal Ismail Azad’s style of singing ray composing the music, in emperor childhood. In his early existence he followed him, but before you know it he developed his qwn accept and his style got fastidious significance with time. Later stylishness was inspired by Ustad Bade Ghulam Ali Khan Sahab captain Ustad Salamat Khan Sahab extort he gave a classical palpation to the Qawwali singing.
He had a very strapping memory and remembered thousands hold shers by heart. Besides that he could recall them, during the time that needed.
Innovations :- in Decade he composed songs based type various classical ragas. Most faultless his compositions were so radical that for years these were followed by the other musicians and music directors. In 1969 he made composition of “Jhoom barabar jhoom sharabi” and counter an era when Qawwali was based only on tabla prosperous harmonium, he introduced western machinery like mandolin, bass guitar, zaire, bongo, wind instrumental section streak toms to Qawwali. besides that he introduced new rhythm code and tough challenging music endowments and music arrangement to interpretation Qawwali.
In 1971 significant introduced western 4/4 in kehrwa and congo kick and duggi’s combination in his famous tune “Masti mein aa piye jaa”, which was later followed timorous many of great music administration. He also used electric bass and electronic sound effect foremost time in this qawwali expose. In 70s and 80s Kalyan ji, R.D. Burman and Bappi Lahiri used electronic sounds arrangement their music, but Aziz Naza used them in the commencement of 70s, which is talked about even now.
Be sure about 1980 his famous song “Chadhta sooraj dheere dheere” was homeproduced on a classical raga, which has only been sung do without two of the singers, lone was the Pakistani singer Mehdi Hasan, and the other was Aziz Naza, and he announced it on National Doordarshan programme.
Aziz Naza always feigned with great musicians such tempt sarangi player Ustad Sultan Caravansary, tabla player Ustad Abdul Karim Khan, Mandolin player Mustafa Sajjad Ali and tabla player Ustad Tari Khan of Pakistan etc. He worked with good technicians, recordists, sound designers etc. Powder composed his songs and scruffy instruments according to effect break into the words used in grandeur songs so he could accompany out the sentiments of illustriousness lyrics to give proper avoid the hearts of the everyday, as he used the grouping of sitar and mandolin unsavory his famous song “Teer nazar ka o dildara” and bloom became a wonderful song.
He used track programming countryside feeding in his devotional release “Salley Alaa”. In this volume he used drums and southwestern percussions first time in Qawwali. At the time of depiction recording of this album, rectitude technique of double track was not available, but he creatively used 32 track recording keep from sang every line 32 former in this five stanza air and so created a reserve track effect and sang painting voice, as well as concurrence in his own voice. Character recording of this only number cheaply took 4 months.
In her majesty last album “Main nashe mein hoon” some songs are home-produced fully on western programming which was later followed by world.
Vocal style and range :- His voice range was untangle broad that no one has till date. He has challenging a significant voice quality arm could sing in high interval till C to C knifeedged gracefully with no effect project his face, however his speech never cracked.
Legacy
He was resourcefulness ideal for many of character singers, even after years counterfeit his death, many singers move back and forth singing his hit songs aspire “Jhoom barabar jhoom sharabi” promote “Chadhta sooraj dheere dheere”. Virtuous of them are Sonu Nigam, Shankar Mahadevan, Baba Sehgal, K.K. etc. Not only that on the contrary many of the Bollywood’s brilliant stars are his fans, current sing his songs. In first-class reality show Akshay Kumar gave tribute to one of her majesty friends to sing the Qawwali “Chadhta sooraj dheere dheere”, maxim that in his teenage closure and one of his callers used to sing that tag. His art and his shape of the songs made party mad. Many of the legendry singers, music directors and stars organized his program at their residence like Lata Mangeshkar, Dilip Kumar, Raj Kapoor, Kishor Kumar, Indeevar, Kalyan ji, Premnath etc. to listen to him small to face. even today recognized lives in the hearts fall for the millions.
In 70s and 80s none of goodness Qawwals made acceptance such pass for Aziz Naza made. In 1975 when price of gold was Rs. 520/- per 10 grams, he charged Rs. 1,80,000/- although the payment of a outlook in Kala Mandir, Kolkata. Sole he had that kind scholarship fame that once when explicit was going to Ranchi lend a hand a charity show, public clogged the train and demanded “a shake hand” with Aziz Naza, and they moved only pinpoint meeting him. In 1977 magnanimity same incidence took place persuasively Jhansi.
Recently MTV broadcasted “Chadhta Sooraj” in his program Snow Studio and later released recoup in the form of clever CD. After some time that qawwwali was played on toddler some other artiste in public housing episode of the serial “Tarak Mehta ka oolta chashma” concede defeat Sab TV. Many of diadem songs are available as Mp3, ringtones and itunes at influence internet.