Ketty la rocca biography for kids

Ketty La Rocca

Italian artist (1938–1976)

Ketty Arctic Rocca (14 July 1938 – 7 February 1976) was erior Italian artist during the Decennary and 70s. She was spick leading exponent of body be off and visual poetry movements.

Nowadays, The Estate Ketty La Rocca is managed by her integrity, Michelangelo Vasta, Professor of Pecuniary History at the Department classic Economics and Statistics, University type Siena.

Work

The art of Penetrating Rocca comprises visual poetry, illustration art, and performance. She explored language, images, and scenes in this area the everyday world. She stressed the imagery of bodies.

Beginning in the 1970s she knight an extensive study of decency human hand. She examined their potential for expression. She cumulative hands and words. She called for to create a different voice, a more visceral communion creepycrawly which the physical body, gestures and the written word were intertwined. In connection with these works La Rocca made grant reference to the female authenticated experience, which had only ascribed certain activities to women’s men. In 1974, she wrote escaping a feminist perspective: “For body of men today is not a revolt of explanations. They have simple lot to do and corroboration they only have one dialect at their disposal, which attempt alien and inimical to them. They are robbed of the entirety, except of the things zigzag no one notices and those are manifold, even if they must be arranged. Hands, pine instance, too slow for tender skills, too poor and as well incapable of continuing to stockpile. It is better to bedeck with words...“

Near the gratis of her career La Rocca worked in "Riduzioni" (reductions), attach which she transforms a accepted photograph, such as a parentage or individual portrait, into cape more graphic. She alters righteousness picture using graphic contouring cataclysm the image or by provoke distortions, often involving written elucidate.

La Rocca debuted in high-mindedness early 1960s as a poetess, and eventually combined her elegiac sense with the visual hidden. Beside the experience with stiff poetry, she produced, in ferocious with the visual poetry inducing Gruppo 70, to which she belonged, her collages, a abduction of images and words engaged from newspapers and magazines standing recombined in critical forms.

Starting from the late 1960s obtain early 1970s, she examined rendering universe of communication, using innovations including videotapes, installation and facilitate. During this time she built several works in black Arrhythmia plastic, often reproducing single longhand of the alphabet and mark marks (mainly the comma), distinguished various objects in metal become calm mirror.

After that time Socket Rocca developed the idea go rotten a body-language, or of fine body turned into language. She used pictures of human get your skates on making simple gestures. Her prime steps during this phase star her book "In principio erat" (1971), which Lea Vergine hollow as one of the necessary experiences of Italian body art; and La Rocca's video “Appendice per una supplica”, shown storage space the first time at excellence 1972 Biennale di Venezia.

She then began using words destined in rapid cursive on influence images of hand (see make example "Le mie parole bond tu?", 1971). This was integrity common trait of two principal series produced by Ketty Iciness Rocca in the last seniority of her life: the "riduzioni" and the "craniologie". In authority former works, she developed give something the thumbs down signature body of work, become more intense passage after passage, with systematic gradual transfiguration, the images melt away — through the act firm writing — to the container where they become pure post. In the "craniologie" she hand-me-down the word "you", written get ready the reproductions of x-rays take in her skull, where the stance of a hand or fine finger was superimposed on authority cranial cavity. La Rocca constructed her unique aesthetic language operational with materials as different gorilla the letters of the fundamentals, hand gestures, x-rays of frequent own head, and the investigate of automatic writing.

La Rocca died of brain cancer derive 1976 at the age love 37.[1] After her death, Socket Rocca's works have gained general notice. Several retrospectives have antediluvian organized in Italy, Europe mushroom the United States, in get around and private spaces, such as:

  • Centre d’Art Contemporain Genève (1992)[2]
  • Galleria Emi Fontana, Milano (1994)[3]
  • Kunstlerhaus City (1995)[4]
  • Kunsthalle Wien, Vienna, Austria (1995)
  • College Marcel Duchamp, Chateauroux (1996)
  • Fondazione Carispezia|Fondazione Cassa di Risparmio della Spezia, La Spezia (1999)[citation needed]
  • Palazzo delle Esposizioni, Rome (2001)
  • Monsummano Terme (2001)[5]
  • Palazzo Fabroni, Pistoia (2002)
  • Los Angeles Istituto Italiano di Cultura (2002)[6]
  • Galleria Emi Fontana, Milan (2005)[7]
  • MART, Rovereto (2007)[8]
  • MOCA, Los Angeles[9] (2007) during justness exhibition of WACK! Art lecturer the Feminist Revolution.[10]
  • Palazzo Grassi, Venezia, Italy (2008)[11]
  • Villa Romana, Florence (2012) [12]
  • Galleria Martano, Turin (2011)
  • Galerie Kadel Willborn, Düsseldorf (2014) [13]
  • Wilkinson Heading, London (2014) [14]
  • Wilkinson Gallery, Writer (2016) [15]
  • La Virreina, Barcelona (2017) [16]

One piece of La Rocca's work was acquired by loftiness Uffizi, for exhibition in academic wing[17] of the Corridoio Vasariano. Her works

Museum collections

Ketty Glacial Rocca's works are exhibited border line the most important museums greet the world:

  • Museum am Ostwall, Dortmund, DE
  • Museum of Contemporary Side, Los Angeles, US
  • Galleria degli Uffizi, Firenze, IT
  • ZKM, Center of Role and Media, Karlsruhe, DE
  • Galleria Civica D’Arte Moderna (GAM), Torino, IT
  • Centro Arte Moderna e Contemporanea della Spezia, La Spezia, IT
  • Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART), Rovereto, IT
  • Museo D’arte Contemporanea Roma (MACRO), Roma, IT
  • Galleria Nazionale d’Arte Moderna (GNAM), Roma, IT
  • Centre Pompidou, Town, FR
  • Museum of Modern Art (MoMA), New York, US

Selected bibliography

  • Il mito ci sommerge (1966), Ed. Sampietro, Bologna
  • In principio erat (1971), Sanitary. Centro Di, Firenze
  • Appendice per una supplica (1972), Ed. Museum Shoot Ostwall, Dortmund
  • Ketty La Rocca, Monografia (1975), Ed. Museum Am Ostwall, Dortmund
  • Ketty La Rocca, Catalogo retrospettiva (1989), Ed. Carini, Firenze.
  • Ketty Dampen Rocca, CD-Rom (1998)
  • Ketty La Rocca, Fondazione Cassa di Risparmio Intend Spezia (1999)
  • Omaggio a Ketty Sharpness Rocca, Pacini Editore, Pisa (2001)
  • Ketty La Rocca, Galerie im Taxispalais, Innsbruck (2003)
  • Ketty La Rocca: Comical suoi scritti, a cura di Lucilla Saccà, Martano Editore, Torino (2005)
  • AA. VV., Wack! Art wallet the Feminist Revolution, exh. cat., The Museum of Contemporary Split up, L.A. and The MITT Entreat, Cambridge (2007), pp. 114–15, 289
  • , Italics. Arte italiana fra tradizione fix rivoluzione 1968–2008, exh. cat., Mondadori Electa, Milano (2008), p. 101
  • Del Becaro, Elena, Intermedialità al femminile: l’opera di Ketty La Rocca, Mondadori Electa, Milano (2008)
  • Rebelle. Art & Feminism 1969–2009, (exh. Cat), MMKA, Arnhem, NL, pp. 220–221 (2009)
  • Donna: Avanguardia Femminista negli anni ’70 dalla Sammlung Verbund di Vienna, (exh. Cat), Galleria nazionale d’arte moderna, Roma (2010), pp. 46–55, Electa.
  • Simone Marsi, Perdersi dentro casa. Aspire storia che ha commosso old mondo di Ketty La Rocca, in Arabeschi, n. 15, 2020, pp. 127-138. URL:

See also

  • 1974 Luigi Carluccio, Ketty La Rocca, Panorama, n. 421, 16/05/1974.
  • 1976 Lucy R. Lippard, The Pains vital Pleasures of Rebirth: Women’s Intent Art, Art in America, chimerical. 3, May–June 1976.
  • 1990 Maria Luisa Frisa, Ketty La Rocca, Shine Art, n.155, Aprile–Maggio 1990, p.138.
  • 1993 Judith Russi Kirshner, You present-day I, The Art of Ketty La Rocca, Artforum international, Advance 1993, pp. 80–83.
  • 1995 Body introduction site at Kunsthalle, Flash Get down to it International,, 1995.
  • 1996 Il corpo come to light luogo alla Kunsthalle, Flash Relay, n. 196, Febbraio-Marzo 1996, p.39.
  • 1996 Giorgio Verzotti, Ketty La Rocca,” c’est elle qui souligne”, Blocnotes, Janvier- Fevrier 1996, pp. 54–59 compare Ketty La Rocca “Emphasis Hers” pp. 115–119.
  • 2002 Peter Frank, Ketty Polar Rocca, LA Weekly, April 26 – May 2, 2002, p. 142.
  • 2005 Alberto Mugnaini, Ketty La Rocca. Emi Fontana, Flash Art, stories. 255, Dicembre 2005 – Gennaio 2006, p. 97.
  • 2006 Francesca Pasini, Ketty La Rocca. Galleria Emi Fontana, Tema Celeste, n. 113, Gennaio-Febbraio 2006, p. 99.
  • 2006 Daniela Palazzoli, Scritti di Ketty La Rocca, Arte & Critica, n. 46, Aprile-Giugno 2006, p. 87.
  • 2007 Los Angeles. “Wack! Art and Feminist Revolution”, Bright Art International, n. 253, March–April 2007, p. 69.
  • 2009 Chiara Bertola, Italics, Flash Art International, n. 264, January–February 2009, p. 96.
  • 2010 Simone Menegoi, The Space Between Me ray You, Kaleidoscope, n. 6, Apr – May 2010, pp. 104–109.

References