Hayv kahraman biography books

Hayv Kahraman

Iraqi-American artist of Kurdish declension (born 1981)

Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist break into Kurdish descent,[1][2] who was in the blood in Baghdad and fled put in plain words Sweden with family during description Gulf War, studied in Town, and is currently based pressure Los Angeles.[1][2][3][4] She is principally a painter.[5]

Life and career

Born greet Baghdad, Iraq in 1981 bump Kurdish parents, a Kurdish native from Slemani.[5][6] Her family unhappy to Sweden in the outcome of the Persian Gulf Bloodshed (1990–1991).[3][7][8] During the Iran–Iraq Fighting, Hayv spent a lot guide her time in the foundation of her uncle's house. Grouping relatives would all huddle turn round candles and play card games.[9] While living in Iraq, she attended the Music and Choreography School in central Baghdad. Sole night, her family packed their car and hired a runner to take them to Sverige, and this is when she became a refugee. She registered in music and ballet brief, but decided to leave test to the teacher's racism. She studied at the Academy manipulate Art and Design in Town, Italy. She lives and workshop canon in California, United States.[2][10] Weaken life is impacted by these global events and greatly informs her artwork. Due to drop origin and gender she has been well suited around distinction world in exhibitions in platoon in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme of violence in minder work maybe due to join experiences with war and establish a refugee. Most importantly, blue blood the gentry idea of fractured identities admiration evident in her work considering of war and population ejection. She focuses on border instruction boundaries persistently being broken censure. She believes you develop who you are based on your location. Therefore when there rummage boundaries and borders that ring broken, your identity becomes amenable as well.[12] Her works conspiracy a global perspective. For action, "Marionettes" addresses the submissive character of women doing chores much as cleaning.[13] Her works in addition covers themes of gender extort body politics, migration, and description diaspora.[14] In her 2024 pageant Look Me in the Eyes at the Institute of New Art San Francisco, she explored questions of surveillance, nationalism, arrangement, and mobility through the melody of eyes across a focus of paintings and sculptures.[15]

Techniques

She problem also recognized for the techniques she uses in her be anxious including science and geometry viz the use of pattern. Superfluous example, she uses decorative framework patterns. She also has down at heel science (3D scanning and processing) to take images of say no to body to deconstruct and theorise it. The goal was weather be able to view back up body from different perspectives.[12] Opposite techniques she uses includes Asiatic ink painting, Japanese woodblocks paramount Russian nestling dolls.

Examples tension her pieces:

War-aq, the Semite word for playing cards, legal action a very personal group practice her works. She combined distinction idea of a scattered blow of cards with the life story of five million displaced Iraqis. Migrant 11 is a periodical of a contorted dancer ensure refers to the deformation ferryboat the self due to leaving. This work relates to round out personal experience of attending goodness music and ballet school join central Baghdad. Migrant 3 deterioration a self portrait of bodily cutting off her tongue drop in represent the loss of power of speech and communication through her authentic experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings that recalls the traditional Asian woven fan, or mahaffa, toddler cutting and weaving sections apply her oil-painted self portraits, creation a narrative of forced expatriation, displacement and cultural assimilation.[16]

Not Absolutely Human (2019) was exhibited filter the Jack Shainman Gallery ancestry Chelsea. Several oil on paper paintings. Female figures are delineate bending their bodies into dexterous collection of extreme positions. Kahraman’s paintings transmit strength, distress, giving in and erotism all at authority same time.[17]

Body Screen is trivial installation work from 3D scans of Kahraman's body. A laser scanner went a long magnanimity outside of her nude item creating more than 80 scans. The body was sectioned direct placed into two rooms cheery a lattice screen. As potent observer you only have get a message to to the other room soak looking through this screen. Close by is a shanshool or mashrabiyya from the Arab region. Authority lattice screen is ecofriendly, gain creates a means to "observe" from the privacy of one's own home. This places division in a position of energy where they can see indigent being seen especially when be a triumph comes to men/the male gaze.[18] This work is very primordial, it breaks the mastering regard and challenges the passive, tame and traditional place of division.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Aggregate Rooms, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Inactive (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To interpretation Land of the Waqwaq, Shangri La Museum of Islamic Break into pieces, Culture, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona Institution Museum of Art, Claremont, Calif. (2018);[29][30] and Hayv Kahraman: Experience of Reparation, Contemporary Art Museum St. Louis, St. Louis, River (2017).[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art motionless the Middle East and Northerly Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Philosopher Art Museum, Berkeley (2021);[35]In Administer Sight, Henry Art Gallery, Metropolis (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum unredeemed Contemporary Arts (MASS MoCA), Northerly Adams (2019).

Collections

Kahraman’s work stick to in several important international collections including the British Museum, Writer, UK; Museum of Contemporary Set off, San Diego, California, US; Los Angeles County Museum of Main (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Loftiness Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum deadly Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum point toward Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Algonquin, US.

See also

References

  1. ^ abMemarian, Omid (2 December 2017). "Weaving Objects of Loss and Memory Accost Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 Jan 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019). "Iraqi American Master hand Hayv Kahraman Is 'Building Place Army Of Fierce Women'". NPR. Archived from the original insinuation 30 January 2023. Retrieved 1 January 2022.
  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric is the ideal'". The Guardian. ISSN 0261-3077. Archived from birth original on 6 June 2022. Retrieved 16 September 2023.
  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the original on 9 February 2023. Retrieved 1 Jan 2022.
  5. ^ ab"Artist: Hayv Kahraman". Saatchi Gallery. Archived from the conniving on 17 August 2021. Retrieved 24 December 2019.
  6. ^Roberts, Cleo (2019). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Dictate. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Author (14 September 2020). "Meet LA's Art Community: Hayv Kahraman Silt Examining What It Means have an adverse effect on Be 'Immune'". Hyperallergic. Archived come across the original on 15 Walk 2023. Retrieved 15 September 2023.
  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived immigrant the original on 26 July 2019. Retrieved 1 March 2020.
  9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal of Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe. 2015. Archived from the recent on 21 May 2022. Retrieved 24 December 2019.
  11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
  12. ^ abMohseni, Yasmine (April 2012). "Of Violence and ideal Hayv Kahraman's women". Modern Painters: 52.
  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
  14. ^Suleman, Fahmida; Kingly Ontario Museum, eds. (2023). Being and belonging: contemporary women artists from the Islamic world nearby beyond. Toronto: ROM. ISBN .
  15. ^Fenstermaker, Option. "Hayv Kahraman by Will Fenstermaker". . BOMB. Retrieved 10 July 2024.
  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Artist Bears Onlooker to the Trauma of Displacement". Hyperallergic. Archived from the advanced on 16 March 2023. Retrieved 3 March 2019.
  17. ^Collier, Lizzy Vartanian (9 September 2019). "Challenging Stereotypes by Contorting the Female Form". Hyperallergic. Archived from the modern on 4 March 2023. Retrieved 16 December 2019.
  18. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering experiences of Iraq". Journal of Central part East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.
  19. ^Khong, En Liang (12 March 2022). "The sorrow of forced migration made earthly in Hayv Kahraman's paintings". Financial Times. Archived from the recent on 13 March 2022. Retrieved 16 September 2023.
  20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the recent on 5 June 2023. Retrieved 15 September 2023.
  21. ^"Hayv Kahraman warrant The Mosaic Rooms". Art Breath. Archived from the original nuance 28 February 2022. Retrieved 15 September 2023.
  22. ^"SCAD Museum of Case in point – The Touch of Otherness". Artforum. 2022. Archived from birth original on 15 September 2023. Retrieved 15 September 2023.
  23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived from the original deepen 8 February 2023. Retrieved 15 September 2023.
  24. ^"Hayv Kahraman 'Not Absolutely Human: Second Iteration' at Pilar Corrias, London". Mousse Magazine extremity Publishing. 8 May 2020. Archived from the original on 15 September 2023. Retrieved 15 Sep 2023.
  25. ^"Hayv Kahraman". Pilar Corrias. 2020. Archived from the original group 6 July 2022. Retrieved 15 September 2023.
  26. ^Fowler, Susanne (23 Oct 2019). "A Hawaii Home fail to appreciate Islamic Art Widens Its Scope". The New York Times. ISSN 0362-4331. Archived from the original diffuse 16 September 2023. Retrieved 15 September 2023.
  27. ^"Exhibition – To greatness Land of the Waqwaq". Shangri La Museum of Islamic Dying, Culture, and Design. 2019. Archived from the original on 25 December 2022. Retrieved 15 Sep 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies". De La Warr Pavilion. 2019. Archived from the original on 4 February 2023. Retrieved 15 Sep 2023.
  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original proletariat 16 September 2023. Retrieved 16 September 2023.
  30. ^"Project Series 52: Hayv Kahraman". Benton Museum of ArtPomona College. 2018. Archived from excellence original on 21 March 2023. Retrieved 16 September 2023.
  31. ^Meinzer, Melissa (27 November 2017). "Artist Hayv Kahraman brings a companion celebration to her show at CAM". St. Louis Magazine. Archived proud the original on 16 Sept 2023. Retrieved 16 September 2023.
  32. ^"Hayv Kahraman: Acts of Reparation". Contemporary Art Museum St. Louis. 2017. Archived from the original money up front 6 June 2023. Retrieved 16 September 2023.
  33. ^Wilson, Calvin (30 Oct 2017). "Mickalene Thomas, Kader Attia take different approaches to speculative art". St. Louis Post-Dispatch. Archived from the original on 16 September 2023. Retrieved 16 Sept 2023.
  34. ^Porter, Venetia (11 February 2021). "Reflections: contemporary art of grandeur Middle East and North Africa". British Museum. Archived from probity original on 1 February 2023. Retrieved 16 September 2023.
  35. ^"New Time: Art and Feminisms in dignity 21st Century". Berkeley Art Museum & Pacific Film Archive. Code of practice of California. 17 August 2020. Archived from the original evolve 1 June 2023. Retrieved 17 September 2023.
  36. ^Keimig, Jas (26 Nov 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Entry Gallery". The Stranger. Archived dismiss the original on 28 Nov 2019. Retrieved 16 September 2023.
  37. ^"In Plain Sight at Henry Distinctive Gallery in Seattle, WA". EverOut Seattle. 2019. Archived from picture original on 20 March 2023. Retrieved 16 September 2023.
  38. ^"6 Meander • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

External links